Sweet Marie: In Studio With Erin Costelo (Review)
Documentaries can be curated experiences, and there is not necessarily anything wrong with that. Sweet Marie: In Studio With Erin Costelo is a documentary that offers a brief glimpse into songstress Erin Costelo’s artistic process as she attempts to churn out a record in only 10 days.
Making art can be difficult. For many of us, we have that naysayer in our heads that…
Should you be writing like this? I don’t think you are a good film critic.
…has the potential to derail us, to stop us from setting on the path we originally trod upon.
Trod upon? You’ve never walked a mile in your life.
The critical voices in our heads and the lack of support from outside can really dampen our best efforts. Especially, if you are a woman – the targets of much sexism and intolerance in our society if this last year is any indication. The salve is in Erin Costelo’s courage to attempt a challenge for herself – to finish a record, Sweet Marie, in 10 days in an isolated, yet pretty ocean-side cabin in Little Harbour, Nova Scotia, with a tree growing through its centre.
Despite the cabin being isolated, she isn’t. Costelo assembled an ace group of Canadian players for the album, including Glenn Milchem on drums (Blue Rodeo), Anna Ruddick on bass (Randy Bachman), Leith Fleming-Smith on organ (Matt Mays, Hawksley Workman) and her long-time partner, Clive MacNutt, on guitar. Taking inspiration from sources as varied as Ryan Adams and Randy Newman, Costelo delivers a genre-defying batch of songs that sound at once timeless, timely and completely fresh. Costelo makes the point that you cannot be successful alone – support crew and fellow musicians (even if your partner is one) are all so important. It is refreshing to hear someone be so modest, yet, also you know that she is very talented.
For a 45-minute runtime, the film does the best it can, but it unfortunately cannot answer some of my biggest questions, such as what made Costelo decide to work and play with these individuals? I would like to learn more about them and what they bring to the table. There are shots in the film of the band talking and having fun, but we are not necessarily in the loop – even some of the stray lines we do get do not make full sense without having the whole context.
Costelo created the parameters of this 10-day challenge in order to motivate herself. But, would she have ditched the whole project if it wasn’t completed in 10 days? Why was she thinking that this record was her last? What makes her decide that a recording session is completed? How did the band sustain themselves through long work days? I could go on. It is the constraint and curation of the 10-day record challenge that only gives the viewer a small glimpse of what drives Costelo and her band.
That being said, if you like her tunes, and really feel the need for an uplifting message as we end this trash fire of a year and begin a new one, these 45-minutes are more than a necessary salve for our times. It is the beginning of a conversation.
About the Author
Michael McNeely is a 2nd year law student; entertainment and accessibility critic; filmmaker; and aspiring actor. He enjoys meaningful representations of LGBT folks and those with disabilities in the popular media, and is waiting for the day where nuance, instead of stereotype and prejudice, is the norm. Michael is deaf-blind, meaning that he enjoys the presence of subtitles and other accessibility features.